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Benjamin Tuttle spent years designing for a Brooklyn microcinema – it all led him to Netflix’s Beef

Addison Copas doesn’t want “freedom” – he thrives under the limitations in his wordmarks and brand identities

London’s Ours! Celebrating the posters, billboards and publicity stunts that put two fingers up to Thatcherism

Reda Adi Pratama’s illustrations are punky, imperfect visions of a fantastical future

Nao Lee’s posters are digital terrains that hide small and unruly treasures for you to find

“Nothing is new” to Dave Bowers, so he illustrates the familiar in his own style

The joy and power of Risograph: Risotto showcases 400 printed postcards from artists across the globe

The metallic graphics of Jump Jirakaweekul are rooted in the ancient but feel sharp and current

Bravas Graphix’s explosive posters and stickers strike a balance between the punk and the academic

The loveable line drawings of this dog hotel brand identity take cues from The New Yorker’s illustrations

Jas Bell on crafting a visual solar system for SZA

Punks to front pages: How Derek Ridgers has captured London’s music scene for over 50 years

POV: Ballet and opera institutions need to get radical to stay relevant

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Daniel Savage on the irony of using a robot to make something that feels more human

Abstracted organica: The design trend taking root in Naarm, and the designers doing it best

Sarah Elawad on breaking graphic design rules to make space for joy, hope and activism

Bráulio Amado on why there is unlimited inspiration in the world, if only we become “crazy enough to look for it”

“Hot, gay and bookish”: After Hours’ bookshop identity spotlights a piece of Sydney’s queer history

“A poster is a bit like a song”: Jakub Zasada’s geometric works are a thing of beauty

A 50-year goldmine of design: AIGA New York unveils its poster archive to the public